Paul Jackson Pollock, born in Cody, Wyoming, on January 28, , was the youngest of five sons in a working-class family. The critic Harold Rosenberg, in his essay "The American Action Painters" - a review of American avant-garde art in which he first coined the term "action painting" - provided the definitive description of Pollock's The sooner you send your request, Jackson Pollock: Black And White|Jackson Pollock the sooner the essay will be completed. The fastest turnaround for a standard essay is 3 hours. But if you need the text even quicker, we’ll do our best to help you meet the deadline no matter what. I’m Running Out of Time A Native American of French-Cree, Shoshone, and Salish blood, New Mexican artist Jaune Quick-to-See Smith creates paintings and drawings that reflect her upbringing in a household where art and horses were equally important
Jackson Pollock - Wikipedia
He was widely noticed for his " drip technique " of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles, jackson pollock essay.
It was also called all-over painting and action paintingjackson pollock essay, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style.
This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. Inhe married the artist Lee Krasnerwho became an important influence on his career and on his legacy. Pollock died at the age of 44 in an alcohol-related single-car accident when he was driving.
In Decemberfour months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art MoMA in New York City. Jackson pollock essay larger, jackson pollock essay, more comprehensive exhibition of his work was held there in In andhis work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London.
Paul Jackson Pollock was born in Cody, Wyomingin[3] the youngest of five sons. His parents, Stella May née McClure and LeRoy Pollock, jackson pollock essay, were born and grew up in Jackson pollock essay, Iowaand were educated at Tingley High School.
Pollock's mother is interred at Tingley Cemetery, Ringgold County, Iowa. His father had been born with the surname McCoy, but took the surname of his adoptive parents, neighbors who adopted him after his own parents had died within a year of each other. Stella and LeRoy Pollock were Presbyterian ; they were of Irish and Scots-Irish descent, respectively. While living in the Vermont Square neighborhood of Los Angeles, he jackson pollock essay at Manual Arts High School[6] from which he was expelled.
He had already been expelled in from another high school. During his early life, Pollock explored Native American culture while on surveying trips with his father. Infollowing his older brother Charles Pollockhe moved to New York City, where they both studied under Jackson pollock essay Hart Benton at the Art Students League. Benton's rural American subject matter had little influence on Pollock's work, but his rhythmic use of paint and his fierce independence were more lasting.
Pollock was introduced to the use of liquid paint in at an experimental workshop in New York City by the Mexican muralist David Alfaro Siqueiros, jackson pollock essay. He later used paint pouring as one of several techniques on canvases of the early s, such as Male and Female and Composition with Pouring I.
After his move to Springs, New Yorkhe began painting with his canvases laid out on the studio floor and he developed what was later called his " drip " technique, jackson pollock essay. From to Pollock worked for the WPA Federal Art Project. Joseph L. Henderson and later with Dr, jackson pollock essay. Violet Staub de Laszlo in — Henderson engaged him through his art, encouraging Pollock to make drawings.
Jungian concepts and archetypes were expressed in his paintings. He received the commission to create the 8-byfoot 2. At the suggestion of her friend and advisor Marcel DuchampPollock painted the work on canvas, rather than the wall, so that it would be portable. After seeing the big mural, the art critic Clement Greenberg wrote: "I took one look at it and I thought, 'Now that's great art,' and I knew Jackson was the greatest painter this country had produced. It has fire. It is unpredictable.
It is undisciplined. It spills out of itself in a jackson pollock essay prodigality, not yet crystallized. Pollock's most famous paintings were made during the "drip period" between and He became famous following an August 8,four-page spread in Life magazine that asked, "Is he the greatest living painter in the United States?
Pollock's work after was darker in color, including a collection painted in black on unprimed canvases. These paintings have been referred to as his "Black pourings" and when he exhibited them at the Betty Parsons Gallery in New York, none of them sold.
Parsons later sold one to a friend at half the price. These works show Pollock attempting to find a balance between abstraction and depictions of the figure. He later returned to using color and continued with figurative elements. In response to this pressure, along with personal frustration, his alcoholism deepened. The two artists met while jackson pollock essay both exhibited at jackson pollock essay McMillen Gallery in Krasner was unfamiliar, yet intrigued with Pollock's work and went to his apartment, unannounced, to meet him following the gallery exhibition.
With the help of a down-payment loan from Peggy Guggenheim, they bought a wood-frame house and barn at Springs Fireplace Road. Pollock converted the barn into a studio. In that space, he perfected his big "drip" technique of working with paint, with which he would become permanently identified. When the couple found themselves free from work they enjoyed spending their time together cooking and baking, working on the house and garden, and entertaining friends, jackson pollock essay.
Krasner's influence on her husband's art was something critics began to reassess by the latter half of the s due to the rise of feminism at the time. Krasner is often considered to have taught her husband in the dominant tenets of modernistic painting. Jackson Pollock's influence on his wife's artwork is often discussed by art historians. Many people thought that Krasner began to reproduce and reinterpret her husband's chaotic paint splatters in her own work, jackson pollock essay.
InPollock painted Scent and Searchhis last two paintings. Pollock and Krasner's relationship began to crumble byowing to Pollock's jackson pollock essay alcoholism and infidelity involving Ruth Kligman.
At the time Krasner was visiting friends in Europe and she abruptly returned on hearing the news from a friend. The other passenger, Ruth Kligman, an artist and Pollock's mistress, survived. For the jackson pollock essay of her life, his widow Lee Krasner managed his estate and ensured that Pollock's reputation remained strong despite changing art world trends.
The couple are buried in Green River Cemetery in Springs with a large boulder marking his grave and a smaller one marking hers. The work of Thomas Hart BentonPablo Picasso and Joan Miró influenced Pollock. Pollock described this use of household paints, jackson pollock essay, instead of artist's paints, as "a natural growth out of a need". Pollock's technique of pouring and dripping paint is thought to be one of the origins of the term action painting.
With this technique, Pollock was able to achieve a more immediate means of creating art, the paint now literally flowing from his chosen tool onto the canvas. By defying the convention of painting on an upright surface, he added jackson pollock essay new dimension by being able to view and jackson pollock essay paint to his canvases from all directions. One definitive influence on Pollock was the work of the Ukrainian American artist Janet Sobel — born Jennie Lechovsky.
While painting this way, Pollock moved away from figurative representation, and challenged the Western tradition of using easel and brush. He used the force of his whole body to paint, which was expressed on the large canvases. InTime magazine dubbed Pollock "Jack the Dripper" due to his painting style. My painting does not come from the easel.
I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease.
I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I jackson pollock essay sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
When I am in my painting, I'm not aware of what I'm doing. It is only after a sort of "get acquainted" period that I see what I have been about. I have no fear of making changes, destroying the image, etc.
I try to let it come through. It is only when I lose contact with the jackson pollock essay that the result is a mess.
Otherwise there is pure harmony, an easy give and take, and the painting comes out well. Pollock observed Native American sandpainting demonstrations in the s. Referring to his style of painting on the floor, Pollock stated, "I feel nearer, more a part of the painting, since this way I can walk round it, work from the four sides and literally be in the painting. This is akin to the methods jackson pollock essay the Indian sand painters of the West, jackson pollock essay.
Pollock denied reliance on "the accident"; he usually had an idea of how he wanted a particular work to appear. His technique combined the movement of his body, jackson pollock essay, over which he had control, the viscous flow of paint, the force of gravity, and the absorption of paint into the canvas. It was a mixture of controllable and uncontrollable factors. Flinging, dripping, pouring, and spattering, he would move energetically around the canvas, almost as if in a dance, and would not stop until he saw what he wanted to see.
Austrian artist Wolfgang Paalen 's article on totem art of the indigenous people of British Columbia, in which the concept of space in totemist art is considered from an artist's point of view, influenced Pollock as well; Pollock owned a signed and dedicated copy of the Amerindian Number of Paalen's magazine DYN 4—5, jackson pollock essay, He had also seen Paalen's surrealist paintings in an exhibition of in The technique was once demonstrated in Matta's workshop, about which Steven Naifeh reports, "Once, when Matta was demonstrating the Surrealist technique [Paalen's] Fumage, jackson pollock essay, Jackson [Pollock] turned to Peter Busa and said in a stage whisper: 'I can do that without the smoke.
Injackson pollock essay, Hans Namutha young photographer, wanted to take pictures—both stills and moving—of Pollock at jackson pollock essay. Pollock promised to start a new painting especially for the photographic session, but when Namuth arrived, Pollock apologized and told him the painting was finished. A dripping wet canvas covered the entire floor There was complete silence Pollock looked at the painting.
Then, unexpectedly, he picked up can and paint brush and started to move around the canvas. It was as if he suddenly realized the painting was not finished. His movements, slow at first, gradually became faster and more dance like as he flung black, white, and rust colored paint onto the canvas.
Jackson Pollock Essay
, time: 5:26Jackson Pollock (Modern Masters Series)|Elizabeth Frank.
The critic Clement Greenberg, with Jackson Pollock, saw Sobel's work there in , and in his essay "American-Type' Painting" Greenberg cited those works as the first instance of all-over painting he had seen, stating that "Pollock admitted that these pictures had made an impression on him" A Native American of French-Cree, Shoshone, and Salish blood, New Mexican artist Jaune Quick-to-See Smith creates paintings and drawings that reflect her upbringing in a household where art and horses were equally important The Pollock-Krasner Foundation, Inc. was established in for the sole purpose of providing financial assistance to individual visual artists of established ability through the generosity of the late Lee Krasner, one of the leading abstract expressionist painters and the widow of Jackson Pollock
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